No easy thing explaining to a client what Web Optimization is for the music industry. Designed and animated by me, for The FOUND Group, with apologies to Jess3.

can’t sleep.  so i submit to the rest of you this.

(Source: amigoamigo, via andrealessi)

abloodymess:

fuckin art

abloodymess:

fuckin art

Eeesh today’s cold.  Remembering warmer times- a friend rented a house in Palm Springs for a lil’ birthday party around the pool.  I grabbed some of it via timelapse.  Here’s what it looked like. 

Next time, gotta set it up to timelapse nonstop all weekend.

hilside:

salaryman jumble (by kozyndan)

love the color palette.

hilside:

salaryman jumble (by kozyndan)

love the color palette.

To the Flapjack fans - Happy Holidays!  Cartoon Network has been playing Flapjack’s holiday episode, “Low Tidings,” quite a bit lately- and this Christmas Eve is no exception.  All non-2d-animation was done by the guys at Screen Novelties, and I had a lovely time compositing the opening sequence and handling some of the live-Merman shots.

To the Flapjack fans - Happy Holidays!  Cartoon Network has been playing Flapjack’s holiday episode, “Low Tidings,” quite a bit lately- and this Christmas Eve is no exception.  All non-2d-animation was done by the guys at Screen Novelties, and I had a lovely time compositing the opening sequence and handling some of the live-Merman shots.

www.artofthetitle.com interviews Todd Hemker about the Cloudy with a Chance of Meatballs end credit sequence.  It’s something I helped put together, in Amazing Stereographic Wonderment, no less!

www.artofthetitle.com interviews Todd Hemker about the Cloudy with a Chance of Meatballs end credit sequence.  It’s something I helped put together, in Amazing Stereographic Wonderment, no less!

wish i had a better link- but here’s Disney’s HalloweenTime Villians spot for 2009.  Post work was done at Duck Studios ( http://duckstudios.com ) by Blake Robertson, Victor Duncan, and Yours Truly.  [some text removed by request of Carolyn Bates]